一、 长 短 句原则 =+?OsH
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工作还得一张一驰呢,老让读者读长句,累死人!写一个短小精辟的句子,相反,却可以起到画龙点睛的作用。而且如果我们把短句放在段首或者段末,也可以揭示主题: 2?:OsA}
As a creature, I eat; as a man, I read. Although one action is |=~mRqG
to meet the primary need of my body and the other is to _akjgwu
satisfy the intellectual need of mind, they are in a way quite SS8$
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similar. 9&Y|,&W
如此可见,长短句结合,抑扬顿挫,岂不爽哉?牢记! <"3${'$k`
强烈建议:在文章第一段(开头)用一长一短,且先长后短;在文章主体部分,要先用一个短句解释主要意思,然后在阐述几个要点的时候采用先短后长的句群形式,定会让主体部分妙笔生辉!文章结尾一般用一长一短就可以了。二、 =oiz@Q @H
主 题 句原则 2ve<1+V_
国有其君,家有其主,文章也要有其主。否则会给人造成“群龙无首”之感!相信各位读过一些破烂文学,故意把主体隐藏在文章之内,结果造成我们稀里糊涂!不知所云!所以奉劝各位一定要写一个主题句,放在文章的开头(保险型)或者结尾,让读者一目了然,必会平安无事! ZFH-srs{
特别提示:隐藏主体句可是要冒险的! #4"eQ*.*"
To begin with, you must work hard at your lessons and be fully (~5]1S}F
prepared before the exam(主题句). Without sufficient preparation, *V+,X
you can hardly expect to answer all the questions correctly.三、 ?|}qT05
一 二 三原则 "cjD-42
领导讲话总是第一部分、第一点、第二点、第三点、第二部分、第一点… h#)\K|
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如此罗嗦。可毕竟还是条理清楚。考官们看文章也必然要通过这些关键性的“标签”来判定你的文章是否结构清楚,条理自然。破解方法很简单,只要把下面任何一组的词汇加入到你的几个要点前就清楚了。 7Lj:m.0O^
1)first, second, third, last(不推荐,原因:俗) 9jx>&MnWs
2)firstly, secondly, thirdly, finally(不推荐,原因:俗) '^7UcgugB
3)the first, the second, the third, the last(不推荐,原因:俗) t,0}}9%?
4)in the first place, in the second place, in the third place, hBaG*J{
lastly(不推荐,原因:俗) saQo]6#
5)to begin with, then, furthermore, finally(强烈推荐) Z0'LD
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6)to start with, next, in addition, finally(强烈推荐) *u,xBC2C
7)first and foremost, besides, last but not least(强烈推荐) b
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8)most important of all, moreover, finally H.]<fvP
9)on the one hand, on the other hand(适用于两点的情况) MU `!sb*
10)for one thing, for another thing(适用于两点的情况) 8ql<7RTM!
建议:不仅仅在写作中注意,平时说话的时候也应该条理清楚!四、 短语优先原则 Iue=\qUK^
写作时,尤其是在考试时,如果使用短语,有两个好处:其一、用短语会使文章增加亮点,如果老师们看到你的文章太简单,看不到一个自己不认识的短语,必然会看你低一等。相反,如果发现亮点—精彩的短语,那么你的文章定会得高分了。其二、关键时刻思维短路,只有凑字数,怎么办?用短语是一个办法!比如: 5
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I cannot bear it. )S`Yl;oL
可以用短语表达:I cannot put up with it. (sH4T>
I want it. E(1G!uu<
可以用短语表达:I am looking forward to it. i=rA;2>
这样字数明显增加,表达也更准确。五、 多实少虚原则 L>hLYIW
原因很简单,写文章还是应该写一些实际的东西,不要空话连篇。这就要求一定要多用实词,少用虚词。我这里所说的虚词就是指那些比较大的词。比如我们说一个很好的时候,不应该之说nice这样空洞的词,应该使用一些诸如generous, n? =O@yq
humorous, interesting, smart, gentle, warm-hearted, hospital b`DPlQHj
之类的形象词。再比如: zJUT<%[U
走出房间,general的词是:walk out of the room )7P>Hj
但是小偷走出房间应该说:slip out of the room Z
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小姐走出房间应该说:sail out of the room z
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小孩走出房间应该说:dance out of the room vJ 28A
老人走出房间应该说:stagger out of the room Yb
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所以多用实词,少用虚词,文章将会大放异彩!六、 多变句式原则 sE{5&aCSR
1)加法(串联) 5*90t{#
都希望写下很长的句子,像个老外似的,可就是怕写错,怎么办,最保险的写长句的方法就是这些,可以在任何句子之间加and,
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但最好是前后的句子又先后关系或者并列关系。比如说:
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I enjor music and he is fond of playing guitar. Hxc>?
如果是二者并列的,我们可以用一个超级句式: oGbh*
Not only the fur coat is soft, but it is also warm. }~0}B[Rf
其它的短语可以用: fti0Tz'
besides, furthermore, likewise, moreover w=ufJRj
2)转折(拐弯抹角) ,#0#1k<Dm
批评某人缺点的时候,我们总习惯先拐弯抹角说说他的优点,然后转入正题,再说缺点,这种方式虽然阴险了点,可毕竟还比较容易让人接受。所以呢,我们说话的时候,只要在要点之前先来点废话,注意二者之间用个专这次就够了。 (5hUoDr!
The car was quite old, yet it was in excellent condition. GQjU="+
The coat was thin, but it was warm. K,P`V
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更多的短语: 1NrNTBI@
despite that, still, however, nevertheless, in spite of, kaECjZ_&+
despite, notwithstanding c%
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3)因果(so, so, so) P
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昨天在街上我看到了一个女孩,然后我主动搭讪,然后我们去咖啡厅,然后我们认识了,然后我们成为了朋友…可见,讲故事的时候我们总要追求先后顺序,先什么,后什么,所以然后这个词就变得很常见了。其实这个词表示的是先后或因果关系! <p`
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The snow began to fall, so we went home. 6]HMhv
更多短语: o nv0gb/J
then, therefore, consequently, accordingly, hence, as a c2Y\bKeN
result, for this reason, so that |gT8 QP
4)失衡句(头重脚轻,或者头轻脚重) gS|6,A9
有些人脑袋大,身体小,或者有些人脑袋小,身体大,虽然我们不希望长成这个样子,可如果真的是这样了,也就必然会吸引别人的注意力。文章中如果出现这样的句子,就更会让考官看到你的句子与众不同。其实就是主语从句,表语从句,宾语从句的变形。 $o)}@TC
举例:This is what I can do. }p8iq
Whether he can go with us or not is not sure. 6J-=6t|
同样主语、宾语、表语可以改成如下的复杂成分: ezm*9Jc~p
When to go, Why he goes away… 5+(Cp3
5)附加(多此一举) F"'
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如果有了老婆,总会遇到这样的情况,当你再讲某个人的时候,她会插一句说,我昨天见过他;或者说,就是某某某,如果把老婆的话插入到我们的话里面,那就是定语从句和同位语从句或者是插入语。 9R[PpE''
The man whom you met yesterday is a friend of mine. QUz4 Kt
I don’t enjoy that book you are reading. q$<VLrx
Mr liu, our oral English teacher, is easy-going. _@
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其实很简单,同位语--要解释的东西删除后不影响整个句子的构成;定语从句—借用之前的关键词并且用其重新组成一个句子插入其中,但是whom 4`+R
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or that 关键词必须要紧跟在先行词之前。 %T}*DC$&S
6)排比(排山倒海句) ~*tn|?%
文学作品中最吸引人的地方莫过于此,如果非要让你的文章更加精彩的话,那么我希望你引用一个个的排比句,一个个得对偶句,一个个的不定式,一个个地词,一个个的短语,如此表达将会使文章有排山倒海之势! fK
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Whether your tastes are modern or traditional, sophisticated V'K:52
or simple, there is plenty in London for you. }YU\}T-P
Nowadays, energy can be obtained through various sources such TCkMJs?
as oil, coal, natural gas, solar heat, the wind and ocean
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tides. z)u\(W*\iA
We have got to study hard, to enlarge our scope of knowledge, Xhpcu1nA
to realize our potentials and to pay for our life. (气势恢宏) -^< t%{d
要想写出如此气势恢宏的句子非用排比不可!七、 挑战极限原则 }Am5b@g"$Y
既然十挑战极限,必然是比较难的,但是并非不可攀! {s:"mkR
原理:在学生的文章中,很少发现诸如独立主格的句子,其实也很简单,只要花上5分钟的时间看看就可以领会,它就是分词的一种特殊形式,分词要求主语一致,而独立主格则不然。比如: Jpn= ^f[rm
The weather being fine, a large number of people went to climb g$JlpD&
the Western Hills. ~sNBklK
Africa is the second largest continent, its size being about Qs<L$"L1
three times that of UC.kI&A
China. JOwu_%
如果您可一些出这样的句子,不得高分才怪! 5?f!hB|6
文章主体段落三大杀手锏:一、举实例
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思维短路,举实例!提出一个观点,举实例!提出一个方案,举实例!而且者也是我们揭示一个观点最好的方式,任何情况下,只要我们无法继续文章,不管三七二十一,尽管举例子! x-b}S1@
In order to attract more customers, advertisers have adopted D"IxQ2}k
every possible stimulative factor in making ads, such as h%sw^;\!
sound, light, colours, cartoon films and human performance. ^-"tK:{
For instance, to advertise a certain food, advertisers will n8i
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ask an actor or actress to sit at a table and devour the #S[Y}-]T
seemingly delicious food while they fime him or her. x4v&%d=M
更多句型: 4,BJK`{
To take … as an example, One example is…, Another example is…, jI9#OEH_g
for example二、做比较 BQ B<+o'
方法:写完一个要点,比较与之相似的;又写完一个要点,再比较与之相反的; @S6@pMo,
世界上没有同样的指纹,没有相同的树叶,文章亦同,只有通过比较,你才会发现二者的相同点(through }%D${.R]
comparison)和不同点(through contrast)。下面是一些短语: .fS{j$
相似的比较: 35:RsL
in comparison, likewise, similarly, in the same manner 8EBd`kiq
相反的比较: F6"s&3D{
on the other hand, conversely, whereas, while, instead, ^~dC&!D
nevertheless, in contrast, on the contrary, compared with …, d ]jF0Wx*
…三、换言之 }nSu7)3$B
没话说了,可以换一句话再说,让你的文章在多一些字,或者文邹邹地说,是让读者更充分的理解你的观点。 ant2];0p
实际就是重复重复再重复!下面的句子实际上就三个字 I love you! ";DozPU
I am enthusiastic about you. That is to say, I love you. /)<kG(Z
I am wild about you. In other words, I have fallen in love -z%
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with you. ;j+*}|!
或者上面我们举过的例子: Y=y
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I cannot bear it. hf;S#.k
可以用短语表达:I cannot put up with it. WC
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因此可以这样说:I cannot bear it. That is to say, I cannot put up with fUZCP*7>
it or I am fed up with it. mP?}h
更多短语: md|I?vk
in more difficult language, in simpler words, put it more P
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simply *:`fgaIDa